I’ve been thinking about this one since we brought home some bison ribs from The ( inimitable) Fort restaurant in March. It was a dinner honoring Chips Barry, and presented by Patty Limerick, two of the funniest people in the world. The sharp wit and the excellent meat joined forces in my mind, and when we got home with the night’s extra (not to say spare) ribs in wonderful black foam take-out boxes, I began to see a samurai wrap.
The sides, shoulders and helmet are made from the boxes. The arm protectors, which are visible in this view only because of their three red stripes, are from a coffee-insulator sleeve. The vertical grooved panel is a plastic pencil tray from a Prismacolor boxed set. Black bag-handle string cleans up the lower edge of the package. The gold paper is actual wrapping paper (a scrap). The red and white details are craft foam.
Samurai enthusiasts will, of course, know how far this is from the truth of samurai armor; liberate us from perfection, as Ms. Limerick says. I do plan to make some more samurai wraps at some later date, and will make reference to the many other design details of samurai armor. But this wrap serves the initial vision I had been generating in the weeks since the black-foam take-out boxes passed through our kitchen.


I have been thinking about multi-box wraps since I did the cow wrap at Christmas. In this case I was thinking about literal cubism. I wanted to see sliced and interpenetrating boxes.
Wrapping with bands is a great way to take advantage of our print-rich environment. I take magazine pages and cut them into long strips, 2″-5″ wide. Fold the two long edges over. This gives both the edges and the whole band a softened and rounded look, a pillow effect.
I took a kefir bottle and cut off the printed wrap. Underneath it was a pure white bottle. I cut off the top area and then took scissors and cut down along the corners and back up again, four times. This made the four petals. I trimmed their tops to round them out. Working the petals with my fingers I was able to give them soft curves.

When I’m running out of wrap time, I reach for ribbon and tissue. In this case I wrapped a tin of coffee with a large white ribbon, which covered the entire tin. I capped it with a piece lime-green tissue. The third layer is a piece of red paper folded into a “ribbon.” The folding gives this quasi-ribbon a satisfying dimension and a softened edge.